I fucking love ELO. For a long time now, I have argued that they are one of the most underrated bands in history. Not necessarily the best, mind you. But as far as I'm concerned, they're one of the greats. I've reviewed a few of their albums now, and I've listened to this one, Time, before, albeit a while ago now. And I wasn't entirely sure what to think of it at the time. I'm much more certain now. It really is an eccentric album, even by ELO standards, with a greater emphasis on electronics and an Alan Parsons Project prog rock feel in some parts. There's even less fiddling with strings here than there is with knobs and oscillators - ELO has traditionally been about the amalgamation of both - but the fiddles quite clearly play second fiddle here, if you will pardon the pun. And it came out at a time where many 60s and 70s act had proven themselves to be well past their prime and struggling to keep up with the pace of what the 1980s demanded from musos in an era defined by an era of aesthetics of futurism and the like. And even ELO themselves, as innovative and progressive as they were, weren't immune to this phenomenon plaguing many successful 70s hit makers. It is nowhere near the caliber of jems such as A New World Record or Out of the Blue. And subsequently, many reviews then and now haven't been so kind in their assessment of this record. But for ELO fanatics like me, it still has plenty of charm, and its more eccentric aspects are not just forgivable, but embraceable with a bit more attention paid to them. Side one is the more solid side here, with tracks like "Twilight" and "Yours Truly, 2095" being my top picks, with "Here is the News", and "Hold on Tight" being the best side two has to offer. This is really an album for ELO fans, but I hope everyone else comes to see the underrated record that it actually is. B+
Dave's Blog - The Life & Times of a Music Snob
Music reviews by some short sanity-challenged yobbo from the land of elves, hobbits and animal husbandry - New Zealand.
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Friday, January 6, 2023
Saturday, December 31, 2022
Album Review: Dire Straits - Communique (1979)
I love Dire Straits. And I’ve loved them since the first time I heard “Money for Nothing” on the radio back in the early nineties. But I’ve never loved them as the strictly guitar-focused band of their early career. I’ve always liked them when they incorporated keyboards and synths into the mix. For that reason, whenever I play a Dire Straits record, it usually is either Love Over Gold or Brothers In Arms. I had acquired so many Dire Straits records that when I spotted Communique in the CD section of my local music store, I couldn’t resist picking it up cheap, in part to satisfy my completionist proclivities. And I’m glad I did, one way or another. It’s not as impressive as the self-titled debut-album – not by a long shot – but there is enough here to give this album a playthrough every now and then. The highlights here are “Where Do You Think You’re Going?”, “Single Handed Sailor”, “Portobello Belle”, and of course, “Lady Writer.” Not a bad album at all, but as far as I’m concerned, it couldn’t hold a candle to its predecessor. B+
Album Review: Fleetwood Mac – Mirage (1982)
Nicks/Buckingham Era Fleetwood Mac’s weakest album – at least in my opinion anyway. Stevie Nicks and the late Christine McVie perform well on this album – and the end result is a competent, yet uninspiring record, with a hit or two here and there, and another couple of gems, and another couple of numbers that eventually grow on you a bit more. But this ain’t no Rumours, nor even another Tusk, for that matter, but the end result is more or less unique unto itself. Stylistic influences include a dash of country and in the case of track 11 – “Eyes of the World” – A melody borrowed from an obscure canon, written by an equally obscure classical music composer of the 17th century. Oh and by the way, “Gypsy” is on this record too. So there’s that. And anybody who owned their 1988 Greatest Hits compilation will no doubt be familiar with “Oh, Diane” as well. Not a bad album, but not their best offering, or even their best eighties offering – Tango in the Night is more my thing from that era. B+
Friday, January 28, 2022
Journey - Raised on Radio (1986)
My review of Frontiers was a bit of a change from my usual stance of the music of the band Journey - they're a greatest hits band - and that there were a few songs on the album that were actually good. I'm not a big fan of Journey - I am quite fond of their best-selling Greatest Hits compilation album though - but I did think Frontiers was the exception to the rule. Not so much with Raised on Radio, though. There's of course the hits, and I think "Suzanne" is an excellent, and perhaps less-appreciated power ballad, but much of the material is either bland or just 'doesn't work' for me the way part of me was hoping it would. For instance, if "Don't Stop Believin'" is a red supergiant of power ballads, "The Eyes of a Woman" feels like a brown dwarf, swelling with potential, but it comes up short in terms of outright musical luminosity. "Why Can't This Night Go Forever" and "Positive Touch" frankly, are a bit like that as well. "Girl Can't Help It", "Be Good To Yourself", "I'll be Alright Without You" are the greatest hits here, and coupled with "Suzanne" are the real talking points on the record. In fact, if you have Greatest Hits in your collection already, it wouldn't hurt to skip this album and just buy "Suzanne" as a digital single instead. B
Friday, January 21, 2022
Journey - Frontiers (1983)
I've always thought the only album from Journey that you will ever, ever need was their famous 1988 Greatest Hits compilation. And in terms of the staple radio hits, that still stands. I did however, come into possession of a five box set of Journey albums, which include two albums that have (gasp) grown on me, albeit not by much, but have grown on me nonetheless Those albums are Frontiers and Raised on Radio. Frontiers is the one that I'm the most fond of, and the one that I'm writing about here, after a long stint of not having written anything on this blog since 2020. It's an eighties album through and through - the liberal use of synthesizers, the power ballad melodies, this is music to match your mullet. And to some extent, "it's a hard rock" album too, of course. "Chain Reaction" is a good example of this. And the version of the album I have here has fourteen songs instead of the usual ten, with two of the four bonus tracks, "Only the Young" and "Ask the Lonely" perhaps steering the less palatable second half away from complete blandness. In fact, I'd probably be inclined to give this album B+ without them. Yeah, they're not exactly masterpieces, but as someone who has a weak spot for 1980s music, they are definitely welcome additions, especially with surrounding filler tracks like "Back Talk", "Frontiers" "Rubicon", "Liberty" and "Only Solutions" all being worthy of the skip button treatment after the first couple of playthroughs. That being said, side A is rather excellent, with "Chain Reaction", "After The Fall" and "Troubled Child" being surprisingly good songs that never made the cut for Greatest Hits. And that's a remarkable thing, as I've always felt Journey wasn't much outside of the hits, thus my continuing insistence that they are essentially a "greatest hits" band. But I think Frontiers deserves to be made an exception. A-