Given heavy metal's image amongst much of the mainstream populace as being unsophisticated, uncouth neanderthal drivel, many will be surprised, if not shocked, to learn of the existence of a particular sub-genre called neoclassical metal. Among various circles, the very notion of a metal-classical music synthesis seems absurd, if not unheard of. And that would be understandable. But it is important to note that heavy metal is a diverse, technical and complicated style of music worthy of appraisal far beyond socially mediated, (and very unfair) preconceptions of metal fans as being trashy knuckleheads. People need to give it a chance - hell, as a traditionally synth-pop, new-wave loving 80s kids, I did. And I have absolutely no regrets whatsoever. Swedish faster-than-light guitar guru Yngwie Malmsteen demonstrates aptly just how classical music and heavy metal aren't necessary diametrically opposed to the point of complete incompatibility. Take his 1990 album Eclipse - not the best metal album I've heard, but I love uber-fast shredding, and this record has it in spades. The solos are a bit lengthy and drag on for a bit, but nonetheless they are impressive in their speed and precision and of course, their classical homages. And coupled with a competent vocalist, Malmsteen successfully transforms mainstream heavy metal into a more focused art form. "Making Love", "Judas" and "Eclipse" are great starting points, and everyone who has owned his "best of" albums will know them. But my shredding favorite on this album is 'Demon Driver." And don't forget to give "Motherless Child" a go as well. Not bad, I must say. Not bad at all. B
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