Disappointed somewhat by my initially
high expectations of Sgt. Pepper, my views of what a Beatles
record should sound like, I can admit, took a rather steep nose-dive.
That is, until, I came across the delectable self-titled The
Beatles from 1968. Not the best
album in music history, of course, and a judgment I wouldn't hesitate to equally confer
upon its (in my opinion, slightly overrated) predecessor, but
nonetheless one of the finest, whose exclusion from the music
collection of any discerning music lover is utterly inexcusable.
Melodically a little more
palatable than Sgt. Pepper, but
less significant culturally and commercially, it still succeeds
admirably in its ability to provide something for almost everyone.
From the simple and cheerful “Honey Pie”, the proto-metal-esque
“Helter Skelter”, the 'out-of-the-blue' structure of “The
Continuing Story of Bungalow Bill”, the half-pie orgasmic warbling
of “Rocky Raccoon”, to the well-known staples of “Back In The
U.S.S.R.” and “Ob-La-Di, Ob-La-Da”, this
record fails miserably to delve into a state of musical sterility and
outright creative impotence – at worst, it will keep you awake.
But at best, it will invigorate the soul. My biggest gripe is the price, as is the case with all Beatles records. Buy it if you can afford
it. A
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